British children’s television in the 1950s, 1960s and 1970s made stars of some puppets, from the marionettes ‘Muffin the Mule’, ‘Andy Pandy’, ‘Bill and Ben’, ‘Lady Penelope’, ‘Parker’, ‘Troy Tempest’ and ‘Captain Scarlet’ to the glove puppets ‘Sooty and Sweep’ and ‘Basil Brush’ as well as the American sock puppet ‘Lamb Chop’ (who was still operated by hand). The Pipkins’ ‘Hartley Hare’ was a rod puppet and Jim Henson created many different types of puppets for ‘Sesame Street’ and ‘The Muppets’ which British audiences loved.
Britain’s first purpose-built puppet theatre, The Harlequin Theatre, was opened by Eric Bramall at Rhos-on-Sea, North Wales in 1958, followed by John Wright’s Little Angel Theatre in Islington in 1961, Ray and Joan DaSilva’s Norwich Puppet Theatre in 1980, Gren and Juliet Middleton’s Puppet Theatre Barge on the Regent’s Canal in 1982, and The Biggar Puppet Theatre, opened near Edinburgh by The Purves Puppets in 1986. Artist and Illustrator Mary Shillabeer created various full-scale marionette shows in the 1970s and 1980s, some of which appeared during the Edinburgh Festival, including ‘Peter and the Wolf’, ‘Boite a Jou-Jou’ (The Toy Box) and ‘Babar the Elephant’.
‘Spitting Image’ puppets, created for television in the 1980s by Peter Fluck and Roger Law, renewed the 18th-century tradition of satirical puppetry at a time when many innovative British touring puppet show companies were established, and theatre companies such as Forkbeard Fantasy began using large scale puppetry in their work.
Muffin the Mule, the first marionette to become a television star, is seen here with his presenter Annette Mills.
Muffin was carved in 1934 by Fred Tickner, a famous maker of Punch and Judy puppets, for Ann Hogarth and her husband Jan Bussell, who formed The Hogarth Puppets in 1932. For their show they wanted a comic-looking mule with a big head that could kick his back legs at a marionette clown.
When television started again after the war in 1946, Annette Mills – sister of the actor John Mills – asked the Hogarth’s if they would make some puppets to go with her songs for the programme ‘For the Children’. The Hogarth’s suggested she used some of their puppets instead, so she wrote new songs to go with the puppets she chose – the mule and clown – which she called Muffin and Crumpet.
Muffin was later joined by other marionettes including Mr Peregrine Esquire, Louise the Lamb and Oswald the Ostrich. The act consisted of Annette Mills talking to Muffin and singing songs at the grand piano while he and his friends clattered around on its lid. His operator, Ann Hogarth, also stood there, hidden by a partition.
A few dedicated puppet theatres survive in Britain, often in the face of financial indifference from local authorities, but puppetry in 21st-century Britain is also finding new audiences with companies and productions incorporating puppetry into their work, and of course the beloved ‘Punch and Judy’ is still as popular today as ever for both young and older generations.
