A brief history of the Harp…

Find the best harpists available for hire in the UK today. The harp is known as the ‘instrument of the gods’ and dates back to ancient times. The magical ‘fairy tale’ sound of the harp will enchant any audience and it is capable of transforming a ‘run of the mill’ event, into an elegant, emotional experience. 

The harp is one of the oldest musical instruments in the world. The earliest harps were developed from the hunting bow. The wall paintings of ancient Egyptian tombs dating from as early as 3000 B.C. show an instrument that closely resembles the hunter’s bow, without the pillar that we find in modern harps. 

The angled harp came to Egypt from Asia in about 1500 B.C. It was built from a hollow sound-box joined to a straight string-arm at an angle. The strings, possibly made of hair or plant fibre, were attached to the sound-box at one end and tied to the string-arm at the other. The strings were tuned by rotating the knots that held them. 

During the middle Ages the pillar was added to support the tension of extra strings. Stiffer string materials like copper and brass were used and these changes enabled the instrument to produce greater volume and a longer-sustaining tone. Paintings of these harps appear in many early manuscripts and their shapes hardly differ from those of the Celtic harps that are still played today. 

The earliest known depiction of a frame harp in the British Isles is on an eighth century stone cross. Music was an important part of life in ancient Ireland and the harp was an aristocratic instrument, played in the courts of kings and before the chiefs of clans. Harpers were required to be able to evoke three different emotions in their audience by their music: Laughter, tears and sleep. With the Anglicisation of the Irish nobility, the traditional harpers became minstrels and street musicians reciting poetry and singing folk songs to the accompaniment of their harps. 

The single action harp achieved great popularity throughout the rest of the 18th century as was evidenced in the French Court by Marie Antoinette; perhaps, the most famous player of this instrument. The harps of this period were magnificently decorated with relief carving, lavishly gilded and hand painted. Besides being musical instruments they were undoubtedly prized as object d’art when displayed in the gilded salons of the era. 

As music evolved it was also necessary for the harp, if it was to maintain its popularity, to move with the times. Instead of only being limited to eight major keys and five minor keys, it had become vitally important for the harp to be able to play in all keys. As a result of this need, Sebastian Erard obtained a patent in 1810 for the Double Action pedal harp. 

This ingenious invention revolutionized the harp and is still in use today. The harp has since continued to evolve and has had many significant improvements made to it over the past two centuries. In the late 1800’s Lyon and Healy, a Chicago based company which is still building harps today, began building harps in America with greatly strengthened frames and many important improvements to Erard’s double action mechanism. 

The 21st century holds great promise for continued popularity of the harp as is evidenced by the myriad festivals, conventions, societies, harp builders, music, performances and career opportunities available to harpists. 

From Medieval to Modern, from Classical to Jazz, from Acoustic to Electric. The harp is an instrument steeped in tradition yet open to change and for many it is more than a mere instrument, it is a calling.